How can uncertainty and incompleteness be a catalyst for change in 21st century art as Cedric Price argues?
Is the Ilya Kabakov in this chapter the same collaborator from the abandoned schoolhouse in Marfa?
What is the significance of modifying the interior of a private clinic as Francoise Bassand has done here? What effect will a piece in a doctor's office have on the viewer vs. one in a sterile museum environment?
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