1. How does Sissal Tolaas' piece It must be the weather, Part 1: Dirty1 engage the viewer? Were the scents extracted from the scents of the area allowed to be worn by the viewers like regular perfume?
2. What message was Framis' trying to give the audience by having them "partake of food in a highly designed environment" in his piece Blood Sushi Bar? The central message of this piece seems cloudy to me.
3. Would the piece Gluck be more effective if the viewer was actually allowed to live within the created environment? It seems to me that the artist is trying to draw parallels between humans and subjects of an experiment. How would it enrich the piece to have the viewer actually live within the experience?
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment